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Speaking the lingo

3 Speaking the lingo

Bob Woffinden on 'The Story of English', a TV series.

11     In January 1964, while touring on the Continent, the Beatles rerecorded their fourth
2 single in German: 'I Want to Hold Your Hand' translated as 'Komm, Gib Mir Deine
3 Hand’. For some years, it had been de rigueur, a matter equally of diplomacy and
4 commercial good sense, for bestselling UK pop artistes to do foreign language versions
5 of their hits.
26     After the Beatles-led worldwide dissemination of rock music, however, the practice
7 ceased. Partly, this was because the English language was the one most naturally suited
8 to the muscular demands of rock; and partly because of the sheer scale of its impact:
9 Continental audiences demanded the original, the real thing; not something artificially
10 rendered into their native tongue, something ersatz.
311     The reactionary commentators who denigrated rock in the 1950s and 1960s as a
12 culturally harmful phenomenon could hardly have dreamed how culturally valuable it
13 would prove: as a major stanchion on which the worldwide advancement of the English
14 language was built. Significantly, the nine-part TV series The Story of English opens with
15 a snatch of Russian rock music: the lyrics are in English.
416     The premise of the programme is that English has now become the first truly global
17 language, the genuine lingua franca. Though rock music has been of inestimable value -
18 particularly in fostering a universal awareness of English in children and young adults -
19 other factors have been critic al. Prime among them, of course, was the Marshall Plan1)
20 and the ensuing social, economic and technological hegemony of America.
521     The post-colonial situation must also be considered. When the British withdrew
22 from the Indian sub-continent and large parts of Africa, their most abiding legacy was
23 the English language itself. It was adopted officially by a number of emergent countries:
24 the neutral option, as it enabled leaders to avoid favouring one or other of the competing
25 local tongues.
626     Of course, the circumstances in which English has flourished means that it has
27 assumed wildly divergent forms. One of the ground-rules of this series is that no one
28 dialect or patois is inherently superior to any other. They are all simply varieties of
29 English. After all, the notion of a Queen's English, or even a BBC English, is a faintly
30 ridiculous one. Just as dictionaries are out of date by the time they are published, so
31 those who assume the existence of a kind of echt English, of which the other forms are
32 bastard offspring, have missed the point. English has proved durable because of its
33 suppleness and readiness to change. The hip argot of today is the BBC English of
34 tomorrow: only this week a TV weatherman referred to a bank of cloud 'getting its act
35 together'. Also, English has that magpie quality of absorbing useful pieces of other
36 languages - de rigueur, ersatz, lingua franca, echt - without ever endangering its essential
37 character.
738     In its examination of the mutability of the language, The Story of English adopts a
39 radical stance. No doubt many of us are conservatives in matters of language, finding the
40 disposable neologisms of Californian surfers, for example, intensely irritating. Yet the
41 more modish, the more cryptic a conversation, the more delight The Story of English
42 apparently takes in recording it.
843     The Story of English seems to treat the spread of the language entirely positively,
44 which raises one of the possible shortcomings of the series. It seems to pay too little heed
45 to the negative aspects of all this - particularly the role of the language in ushering in
46 American socio-economic imperialism, the condition sometimes referred to as
47 Coca-colonialism.
948     Even so, it's clear that the English language is still the UK's richest natural
49 resource. Viewed from that perspective, the government plans to cut the budgets of the
50 British Council and the BBC World Service seem more misguided than ever.
 
     from 'The Listener', September 18, 1986


noot 1: Marshall Plan: a programme of U.S. economic aid for Europe after World War II