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How reality came to crossroads

 Barbara Lambex explains why a six-year-old girl with Down’s Syndrome* was introduced into one oftelevision’s most popular series.
 
 Six-year-old Nina Weill has made television history. She is the first mentally handicapped
 child to be written into a drama or soap opera.
 The decision to introduce Nina into Crossroads was a courageous experiment by producer
 Jack Barton, who has in a sense been testing the loyalty of his 14 million regular viewers. Indeed,
5 Crossroads slipped out of the top ten for a few weeks, probably due to the squeamishness of
 some viewers. It has gradually climbed back. He knew that if Nina could hold their interest, if
 they could accept her and her disability, there was a chance of chipping away at some of the old
 prejudices that prevent the mentally handicapped from being accepted into the community.
 The Crossroads cast was scriptwriter Arthur Schmidt's first hurdle. Would they accept her, he
10 wondered, and would they be able to make sense of a scene with a problematic child wandering
 around? He got round it by offering the actors every possible alternative to allow for Nina's
 unpredictability. The script was worked round the little girl - Nina doing what Nina usually does,
 and the cast fitting in with her. 'The main thing was to create a medium for Nina, to have that
 little girl around, with people loving her or being uncomfortable with her. There would be an
15 intended range of reactions with which all parts of our audience could identify. '
 He admits that Nina was capable of doing a lot more than was shown on the screen, but he
 wanted to cover a wider range of disability. 'My expectation was that it is a 24-hour-a-day job to
 look after these children and that they cannot be trusted. Nina can't be trusted not to run under a
 bus, but that's because she's a child. She can run her own bath and not let it run over. I never
20 expected a child like Nina to be toilet trained and she is. She also has lovely manners. If she is
 given a sweet, she will make sure you and I get one before she takes some herself. After knowing
 her a month or so, I described her to someone as "adorable". It would never have occurred to me
 to call her that when we first met. '
 After their initial meeting Arthur wanted to know what Nina's daily life was like, how much
25 her school resembied a normal school and whether after 10 years she would emerge brighter than
 she went in. 'What I was interested in was how do these people with Nina's level of intelligence
 perceive the world and what do we owe them? There are those who say she should have been put
 away at birth, but I have been won over to the view that mental handicap is our problem. With
 some help they could be integrated into the community, upsetting nobody in particular, not
30 hospitalized, not particularly expensive nor a burden on society. '
 Arthur Schmidt is concerned about the Down's Syndrome adult, who may face a lifetime of
 hospitalization. As he says,'There are not enough residential homes for adults because in certain
 communities there is local resistance to siting them, usually through ignorance. '
 The program has inevitably attracted criticism. 'A few viewers attacked us for compromising
35 and using a very attractive child. ' Arthur Schmidt ad mits that,'like many people in soap opera
 land, she is a little prettier, wears cuter clothes but there were at least half a dozen other children
 at her school just as pretty and enchanting we could have used. We were also attacked for
 implying the limitations of her handicap. We said Nina would probably never read. Yet we have
 had responses from parents who say their retarded son or daughter can indeed read. But those
40 people touched personally by mental handicap have been gratified, because someone is sharing
 what they know, something they seldom see, in an ordinary, down-to-earth way. '
 
 The Guardian, December 2, 1983

* Down’s Syndrome: in Nederland noemt men deze handicap mongolisme