NEWS REVIEW | |||||||||||||
Models of bad behaviour | |||||||||||||
1 | The call from the production | the production company and de- | And presumably behind the scenes | ||||||||||
company came earlier in the | clined its offer, for the reality isn’t | the psychologist is reassuring the | |||||||||||
summer. How would I like to | 45 | okay. These girls – adolescent minds | tearful girl that she is not a failure, | ||||||||||
be the in-house psychotherapist for a | in barely mature bodies – live in a | 80 | it’s only a television programme. | ||||||||||
5 | new Channel 4 television series, | culture that mercilessly looks at the | 9 | And what are we doing watching | |||||||||
Model Behaviour? | female form and then stops right | these girls? What, if not buying | |||||||||||
2 | The series set out to select girls | there. | wholesale into the notion that you | ||||||||||
from competing heats up and down | 6 | 50 | The series is being shown at the | are how you look, that being looked | |||||||||
the country, choosing the five most | moment and, while the girls were | 85 | at is what constitutes female | ||||||||||
10 | likely to make it in the modelling | eventually supplied with a resident | success. Model Behaviour is not | ||||||||||
industry. The finalists were then to | psychologist, that person’s thoughts | only a television programme, it’s an | |||||||||||
be locked in a house together while | were in the end not edited into the | observation on how an industry | |||||||||||
we the viewers watched them bite | 55 | programmes. | grows up to reflect how a culture | ||||||||||
and scratch and fall apart on the way | 7 | The programmes invite us to | 90 | sees its girls and women: how girls | |||||||||
15 | to one of them receiving a year’s | look at girls who are vying with | and women have to be to be seen. | ||||||||||
modelling contract with Premier, the | each other to be looked at; looking | 10 | And, be very certain, the girls in | ||||||||||
agency that represents Naomi | at the blood on the carpet and the | the show know they’re being looked | |||||||||||
Campbell and Claudia Schiffer. | 60 | tears before bedtime as they | at – that, after all, is why they are | ||||||||||
3 | But, the caller said, a few of | compete with their rivals and are | 95 | there – and by the end of the series | |||||||||
20 | them might find some of this com- | savaged by the judges. For reality | most will also know defeat and | ||||||||||
petition a little tricky, and that’s | television is only really interesting if | rejection on the basis of their | |||||||||||
where I came in. I was to | Carole Topolski, asked to be resident psychotherapist in the latest reality TV show, about the modelling industry, is now heartily relieved that she turned the offer down | appearance. | |||||||||||
counsel, support and presumably | 11 | “By the end,” says the series | |||||||||||
explain these traumatised con- | 100 | producer Justin Goreman, “a lot | |||||||||||
25 | testants to themselves and to the | of these girls realised that modelling | |||||||||||
viewing audience. | wasn’t for them. They all leave | ||||||||||||
4 | I put the phone down and | the show older and wiser.” I | |||||||||||
called colleagues. Suppose I | bet they do. | ||||||||||||
were able to use the programme to | 12 | 105 | This, then, is what passes for | ||||||||||
30 | make some serious comments about | someone gets upset, and we know | entertainment in the 21st century. | ||||||||||
the exploitation of girls’ bodies? | 65 | that tears and cat claws go with the | We’ve moved way beyond enjoying | ||||||||||
Suppose I could talk about what it | female like bread goes with butter. | the spectacle of Christians being | |||||||||||
does to an individual and a gender to | 8 | I wonder what Channel 4 was | thrown to the lions on the dusty | ||||||||||
be construed primarily by the way | hoping for. The eye of the camera | 110 | floor of the Colosseum and now | ||||||||||
35 | they looked? Suppose I could get | may pretend that it is interested in | cheer ourselves with a spectacle of | ||||||||||
access to that 90% of the teenage | 70 | success, but actually it revels in | young girls being emotionally | ||||||||||
population who suffer from anxiety | failure: the girl with human-sized | drained, their body parts fragmented | |||||||||||
about the size and shape of their | hips who collapses weeping when | and discarded on television screens | |||||||||||
bodies? | told she should take up hippo | 115 | in our front rooms. | ||||||||||
5 | 40 | Nice idea, but this programme | impersonation; the girl with strong | 13 | I am relieved I had no part in it. | ||||||||
was going to be what we are now | 75 | legs whose life shatters when she’s | |||||||||||
calling “reality television”. I called | contrasted unfavourably to a twig. | ‘The Sunday Times’ |