| | | | | liked it a lot.” |
| | 6 | | When the film’s makers, |
| | | | Universal, heard about the plan |
| | | | for the flight, executives went into |
| | | | a tailspin, terrified their superstar |
| | | | was not properly insured. “I told |
| | | | them not to worry,” says Lovell. |
| | | | “His best insurance would be |
| | | | sitting right next to him.” |
| | 7 | | Lovell showed the same cool- |
| | | | ness back in 1970 when, halfway |
| | | | to the moon, his spacecraft was in |
| | | | deep trouble. He helped steady |
| | | | his crew’s nerves and with the |
| | | | help of Houston Mission Control |
| | | | they plotted a split-second |
| | | | manoeuvre to make it possible for |
| | | | them to re-enter the earth’s |
| | | | atmosphere - safely. |
| | 8 | | He is glad of all the renewed |
1 | | IT WAS the week the whole | | | | Tom Hanks with the mission, | | | | interest, feeling the mission has |
| | world held its breath. For four | | | | rather than the real commander | | | | been neglected over the years |
| | heart-stopping days everyone’s | | | | of Apollo 13. | | | | “because we in the United States |
| | attention was focused on three | | 4 | | Hanks spent four days with | | | | like to forget our failures”. As if |
| | American astronauts stranded in | | | | him preparing for the role and | | | | to prove his point, his study in his |
| | total darkness and sub-zero | | | | Lovell remembers how the two of | | | | house is littered with awards and |
| | temperatures 200,000 miles from | | | | them were drinking in a bar when | | | | trophies from his first three space |
| | home. Only a dazzling combina- | | | | the owner asked him to sign a | | | | flights, two Geminis and Apollo 8, |
| | tion of technological wizardry and | | | | picture hanging on the wall. | | | | while the only recognition of |
| | a display of great human spirit | | | | Lovell just pointed to Hanks. “I | | | | Apollo 13 is a letter of con- |
| | prevented the crippled spacecraft | | | | told the guy, ‘Hey, that’s the real | | | | gratulations from flying legend |
| | Apollo 13 spinning out of control | | | | Jim Lovell, let him go over and | | | | Charles Lindbergh. |
| | for ever into deep space. | | | | sign it.’ I know that once this | | 9 | | As a boy who grew up with the |
2 | | Commander Jim Lovell and his | | | | movie comes out, it’s not going to | | | | Apollo missions, Hanks wor- |
| | crew became instant heroes as | | | | be me any more. Tom Hanks is | | | | shipped the space heroes of the |
| | they splashed down safely in the | | | | going to be Jim Lovell. | | | | Sixties and Seventies. “They were |
| | Pacific. But almost as quickly, they | | 5 | | I wanted him to get the feeling | | | | princes among men,” he says. |
| | were forgotten - their mission, | | | | of what it’s like to be a test pilot | | | | “These guys in their gold flight |
| | after all, still a failure, no matter | | | | and an aviator and an astronaut | | | | suits with matching jackets - they |
| | how heroic, in a country geared | | | | so I decided the best way was to | | | | were real stars.To be an astronaut |
| | only to success. | | | | let him fly my light plane at night. | | | | in Houston in the Sixties was like |
3 | | Now, a quarter of a century | | | | To recreate the constricted view | | | | being a Beatle.” |
| | later, Hollywood is making a | | | | from a spacecraft, I installed a | | 10 | | “Apollo 13 is the ultimate |
| | movie about the unsuccessful | | | | triangular cardboard cut-out on | | | | human interest story,” says Lovell. |
| | mission, with Tom Hanks playing | | | | his side of the cockpit,” says | | | | “And it’s perfect for Hollywood. |
| | Lovell.Yet the irony is that Lovell | | | | Lovell. “Then I took him out west | | | | It’s got a happy ending.” |
| | still seems destined to be the | | | | where there were no lights. I let | | | | |
| | forgotten hero. The public will | | | | him control the airplane, because | | | | |
| | soon associate the familiar face of | | | | it’s a little bit like a spacecraft. He | | | | ‘Sunday Mirror’, June 18, 1995 |