Work experience
Trying out a career helps you discover if it’s right for you
This week: publishing
1 | No matter how much excitement | |||||
everybody felt about the release of | ||||||
the latest Harry Potter film, it won’t | ||||||
match the frenzy that surrounds the | ||||||
publication of a new Harry Potter | ||||||
book. JK Rowling is living proof of the | ||||||
health of the publishing industry. | Potter pottiness: even the release of a | |||||
2 | “People tend to think that | new Harry Potter film couldn’t match | ||||
publishing is all about editing,” says | the excitement that surrounds | |||||
Michael O’Brien, founder of the Irish | a new JK Rowling book | |||||
O’Brien Press. “They don’t think of | ||||||
the other jobs, like marketing, sales, | 6 | O’Brien advises people to look at | ||||
design or production.” The small size | who they know. “See whether your | |||||
of Irish publishers, such as O’Brien, | parents or teachers know anybody | |||||
means there tends to be a lot of | working in publishing. You’d be | |||||
crossover between departments, and | surprised at how many people you | |||||
people can move from one to another. | know. It’s still the best way of getting | |||||
“The hardest part is getting your foot | in.” | |||||
inside the door,” says Rachel Pierce | 7 | The retail end of the industry is | ||||
of Verba Editing House. “No matter | also looking healthy. As well as the | |||||
what department has a space, jump at | shop floor, there are marketing and | |||||
the opportunity and learn whatever you | buying departments, and shops such | |||||
can. It all helps.” | as Hughes & Hughes have | |||||
3 | O’Brien and Pierce agree that work | management training programmes. | ||||
experience is very important if you can | “You need a passion for books,” says | |||||
get it. “Make your letter and CV | Derek Hughes of Hughes & Hughes. | |||||
original, not just the regular one that | “Good people skills and personal drive | |||||
you could send anywhere,” says | and ambition are also useful qualities | |||||
O’Brien. “Give a solid reason for your | to have.” | |||||
interest, tell us what you’re reading or | 8 | The Society of Publishers in | ||||
mention where you buy your books …. | Ireland, which holds events every now | |||||
Don’t say you want to be an editor; just | and again, welcomes students. Pierce, | |||||
be willing to work in any department | who is its secretary, encourages | |||||
and find out as much as possible.” | people to get in touch. “We have a | |||||
4 | Pierce stresses the value of getting | website, and if people give us a call | ||||
the basics right. “Ensure that | beforehand we can let them know what | |||||
everything is well presented,” she | they might enjoy. It would be a good | |||||
says. “You can get letters from people | way of finding out a bit more and also | |||||
who even misspell ‘editor’, which | meeting people who are already | |||||
doesn’t look good.” | working in publishing.” | |||||
5 | Luck has a lot to do with it: it can | |||||
be a matter of simply phoning at the | The society’s website is www.the-spi.com. | |||||
right time, when a publishing house | Also have a look at www.obrien.ie and | |||||
needs somebody to do odd jobs for a | www.hughesbooks.com. | |||||
week. |